Thousands of Korean beauty anchors exploded China Live and Sexy let the otaku watch

2025-01-27 10:37:09|Myriagame |source：minecraft skins

South Korean female anchors in the Chinese live broadcast room to attack the city. In addition to defeating amateur by professionalism, they are better than understanding the tastes of Chinese male audiences.Assuming that there is such a place, you can watch a high -value Korean beauty without hesitation -staring at her instead of worrying about the other party's disgust, and can even talk about it at will, and even send 2,514 "cute" (value 288 yuan)She will call you "husband" or "boyfriend".

Will you go in this place? This place is called "live room".

For netizens, the live broadcast room is "otaku's paradise"; for capital, it is a cake worth more than 10 billion yuan; for the female anchor on the platform, this is more like a cruel battlefield., Dance, sound, and even the level of the game can become the best of the survival of the fittest.

The smoke on the battlefield is filled with smoke, and now it is getting worse.If it was said that a year ago, the Chinese female anchor was only in the "civil war", but now she has to face a group of "enemies" from South Korea.Korean female anchors began to seize the limelight and market.This summer, Wang Sicong spent millions of dug in many Korean female anchors and entered his panda TV live platform.Among the most popular female anchors in Dragon Ball Live Beauty Channel, 4 of the five of the five are Korean female anchors.

Under the impact of strong opponents, a Chinese female anchor was anxious to cry in the live broadcast room because of the sharp decline in fans.

Xu Yunmei

The Korean female anchor laughed, and the Chinese female anchor cried

1.5 million people poured into the live room of Korean female anchor Xu Yunmei.This battle was the first time she saw it.The rolling barrage has almost occupied the entire screen, and the message refreshing speed reaches the limit that can be distinguished by visual.She was a good figure, and just finished a sexy hot dance in the live broadcast room.Due to too much physical consumption, your chest keeps up and down with his breath.

There are constantly swipe the screen: "Jump one more!"

Today, when I think of the hottest scene when the live broadcast was the hottest a few months ago, Xu Yunmei was already calm.She told reporters that when she saw so many audiences, she was surprised to thank him.Before coming to China, Xu Yunmei was a popular BJ (female anchor) of the Korean live broadcast platform.She has been wading live broadcast from the previous year, and has won the title of the best female anchor of the New Year.

When the best female anchor was the most popular in the local area, the number of audiences was 12,000.In China, this number is 125 times the past.The Chinese market is too big.The report from Ai Media Consultation shows that in 2015, the number of online live broadcast platforms in China was close to 200, and the number of users of the live broadcast platform had reached 200 million -almost equivalent to the total of seventy -quarters of China's total population.

In 2016, the scale of the live broadcast of China will reach 15 billion yuan, and this number may reach 60 billion yuan by 2020.This is almost hundreds of times the size of the Korean live market.The story of Wang Sicong's "Thousands of Boshimi smiled" is still circulating in the live broadcast circle.On the evening of March 8, 2016, Korean female anchor Yanghanna, when Panda TV performed dancing, some people rewarded multiple "Buddha jumping walls".

Each "Buddha jump wall" is priced at 1,000 yuan in Panda TV.Later, Wang Sicong also entered the room to reward, and then the other party began to provoke Wang Sicong, and the two sides began to brush gifts.The climax happened at the last moment: the local tyrant spent about 140,000 yuan in a sigh of relief, and Wang Sicong was angry at more than 230,000 yuan.As a result, Yanghanna was rewarded over 400,000 yuan overnight, setting a record of receiving gifts in a single day.

Happiness came too suddenly, and Yanghanna was crying excitedly in the live broadcast.Although this fairy -tale story is suspected of hype, Chinese female anchors really feel the threat of the opponent.On July 6th, the first Korean female anchor Aying was ranked first in Dragon Ball live broadcast. A total of 150,000 viewers watched, while the number of Chinese female anchors ranked 11. The number of audiences was only 9700.The Chinese female anchor crying in the live broadcast room was originally ranked among the top three, but now the number of audiences is less than one -tenth.

100,000 people see her eating biscuits

Dance is almost the killer of all Korean female anchors.More often, even if they do not dance, the live broadcast room of Korean female anchors is still gathered in a large number of audiences.At 8 pm on July 5th, Korean female anchor Li Xiubin began to broadcast live.In the 3 hours of the live broadcast, she almost sat on the chair and did the most thing to eat cookies.100,000 Chinese audiences are watching her eating biscuits.

Korean "Live Barbie" Lee Xiubin

Charm comes from her bumpy figure.Someone also compared her to the popular heroine Nami in the comic "One Piece".In addition to her breasts, she also had a baby face."Usually there are more than 100,000 viewers who come in, and there will be more people such as the Spring Festival." Li Xiubin told reporters.

She knows how to attract Chinese audiences, especially the "taste" of male audiences.A latest survey data shows that in the live broadcast platform, more than 60%of users are 22 and below, while male users account for 77%.Male users spend at a live broadcast of up to 135 minutes per day.In order to seize the audience's attention, Li Xiubin used a live broadcast of high -definition cameras with more than 5,000 yuan. Each time the makeup time was more than one hour. The clothing included nurses, teachers, and sailors.Essence"In fact, there is not much difference between Chinese audiences and South Korean audiences." For 4 years in South Korea, Li Xiubin, who is now in China, can be described as "a hundred battles."Like Li Xiubin, the Korean female anchors who came to China almost all came from Afreecatv in South Korea.This platform has been followed by the Chinese live broadcast platform for a long time.Whether it is a layout or a page, most of the live broadcast platforms in China have the shadow of each other.

Founded in 2006, AFreecatv, formerly known as a listed game company.Xu Yiji, a representative of this company, has developed an online game that has been in China- "Legend".Xu Yanji can always scratch people's interests."Legend" meets people's needs for glory and violence, while live broadcasts cater to the thirst for privacy and desire.

Even the online reward model, China's live broadcast platform is exactly the same as the Korean platform.However, the reward on the Chinese platform is more "local".The price of "Rockets" to send an anchor is 500 yuan; in the live broadcast room of the Dragon Ball platform, it costs 999 yuan to summon a "Shenlong".

Reward is all real gold and silver, and it is also the main business model of live broadcast. It is divided by anchors and platforms.Usually, the division ratio of the two is 5: 5, or 6: 4, and the popular anchor can get more.The person in charge of a large live broadcast platform said that if the female anchor signed a brokerage company, the total amount of rewards obtained by the anchor will be scored half -score by the live broadcast platform and the brokerage company, and the brokerage company will draw a part of it.

"The competition is too fierce today. In order to retain some Korean female anchors, we sometimes give 70 % of Korean female anchors' rewards." The tone of the person in charge was helpless.As early as January to September 2013, Afreecatv's network anchor reached 25.8 billion won in revenue.Among them, the annual income of the top 4 Internet celebrities exceeded 200 million won (about 1.11 million yuan).This year, China's live broadcast platform has not officially started.

I am learning Chinese when I take a bath

Today, not only the live broadcast platform of China, but also Chinese female anchors.A Taiwanese media referred to the early live broadcast room of the mainland as "Silk Live".The first batch of live broadcast rooms are represented by the 9158 platform. Its positioning of the audience is a grassroots class, and 60%of users come from cities below the third line.

Earlier female anchors were almost settled in the platform in their personal forms, mainly chatting and K songs. They did not have the packaging team, no guidance, and not to talk about professional training.Even live broadcast platforms such as Douyu, Panda, and Dragon Ball have not changed one after another.

Compared with Chinese female anchors, Korean female anchors are simply "eighteen martial arts."On the evening of July 7, more than 200 Chinese female anchors were broadcast live on the beauty channel of Dragon Ball live broadcast.Faced with a larger number of opponents, South Korean female anchors are at ease."I have almost no pressure to compete." Xu Yunmei said, "I will jump steel dance, and will play guitar and piano."

She bluntly stated that Chinese opponents' weaknesses: "There are indeed beautiful, there are also dancing, but they are too single." Another Korean female anchor A Ying was also calm. She rarely went to watch the live broadcast room of Chinese colleagues. "It's enough to be yourself. "

They are not blindly confident.Many Korean female anchors have received artist training in the local area.Xu Yunmei and Park En were members of the Korean women's group, and they have also produced singles.In South Korea, known as the "Star Factory", artists are like products made from the assembly line.Some people have been under art training since the age of 10, known as trainees.Before their debut, they often experienced one to two years of professional training, including the body, dance, singing and social methods.

On the artist pyramid, only a few people can become actors, weaker as singers, and more than half of trainees will be eliminated.Even if these eliminated trainees do live broadcasts in China, many Chinese female anchors who have no "professional" background can be invincible.Those artists who wandered at the bottom of the entertainment industry pyramids came to the Chinese live broadcast market, found value, and became "leadership in the industry."

In addition to the sharing of virtual props, the income of female anchors also has a platform signing fee, advertising and participating in business activities."The annual income of the popular Korean female anchor is more than one million yuan. In addition to the signing fee of tens of millions, their income is not low compared to some local artists in Korea." The person in charge of a live broadcast platform revealed.When most of Chinese female anchors are playing for live broadcasts, the Korean female anchor group has already been professional."Live broadcast is a career for me, not a hobby. If it is a hobby, I may not be able to stick to it." Xu Yunmei said that she would spend 3 hours a day to learn steel pipe dance and piano.They are all watching Chinese series and learning Chinese.

Xu Yunmei's favorite Chinese female singer is Deng Ziqi.After learning the song "Bubble", she immediately performed in the live room; her favorite TV series was "Love Apartment", although she didn't know some of these Chinese -style humor.

And another Korean female anchor Park Eun also shows a high degree of professional spirit.As a former member of the dance group, although she has mastered a lot of sexy dances, she still has to learn the latest dance and popular songs. Each training takes 4 hours a week.In the recent live broadcast, she entered the hospital because of her too fierce training.

Korean female anchors are divided into three grades of A, B, and C

Korean female anchors are by no means a single gun to come to China.Behind them, there are a pair of invisible pushing hands.One pair of pusher comes from Zhang Sen -a South Korean brokerage company is responsible for developing the Chinese market.His company has exported 15 Korean female anchors to the Chinese market, equivalent to half of the number of female anchors in Korean Korean.Zhang Sen's idea of ​​introducing Korean female anchors into China in 2013.A few Korean friends came to China to travel in China and accidentally paid attention to the relatively hot YY live broadcast platform in China, but after watching Chinese female anchors, they shook their heads.

"The general feeling is not amazing. The appearance is not amazing, the dance is not professional, and the singing is average. It is not comparable to the female anchor in South Korea." Zhang Sen told reporters.At that time, the performance of Korean female anchors in China could only go to the video website to watch.Today, the dance videos of many Korean female anchors on Youku still have more than one million clicks.

Zhang Sen was moving, and he signed 15 popular female anchors and brought them to China.As he expected, after the Korean female anchor entered the Chinese market, Siege has slightly occupied the forefront of many live broadcast platforms.The brokerage company is not a idle.Not only did they urge Korean female anchors to learn Chinese, they also provided them with a full -time translation for each of them.

Xu Yunmei's translation SEOL is a Chinese girl who has just got this part -time job after assessment.SEOL said that the translation recruitment of Korean female anchors is relatively strict, not only to have the highest level of Korean certificate, but also to reach the level of same interpretation.The company also pays attention to market research.Zhang Sen specializes in a research team composed of 7 people to investigate and study changes in Chinese audiences' preferences for women.The results of the survey directly affect the bias of the selection of female anchors by the brokerage company.

After investigation, they found that otakus like women in two -dimensional (anime characters).At the same time, the hot dance that can evoke desire and attract otakus.The company has cosplay clothing for each anchor.On the night of Halloween in 2015, Aying COS (dressing) became a female police officer and harvested the number of live broadcasts of 200,000 people in one fell swoop.

Strict corporate management is essential. Korean female anchors are divided into three grades of A, B, and C.To become a first -line anchor A, not only must there be more than 150,000 videos and the number of Weibo fans, but also the talents other than dancing, such as classical music, poetry and songs.All of this is to attract Chinese audiences.

When Korean female anchors also have troubles, they must also rack their brains to figure out the aesthetics of Chinese male audiences.In South Korea, Xu Yunmei has attracted much attention with a distinctive outdoor live broadcast. She will live on the streets to shop and visit the park to interact with the audience.

However, in China, this trick is very effective. In addition to language problems, Xu Yunmei found that "no matter what form, Chinese audiences seem to be the favorite is dancing."Due to the frequent dance, she once injured the cervical spine and was hospitalized for two weeks.The enthusiasm from Chinese audiences made her unable to hurt the line.Xu Yunmei returned to the live room again under the attention.

Her Korean counterpart A Ying described it in an exaggerated way: "Chinese audiences are like her husband or boyfriend, always spoil her." In the near future, they are allIt is possible to cross the Internet and develop in China.They believe that nothing can prevent them from defeating Chinese female anchors except language.

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